Realism
Levels:
Teacher Page
| Overview | Student | Teacher |
| NJCCCS | Rubric | District Objectives | Glossary | Resources |
| Realism This project has been designed to incorporate the standards, skills and assessments for Visual & Performing Arts. We have left room for you to incorporate your own curriculum objectives, skills and built-in assessments. You may want to change this activity to better fit your own district's needs. |
Craftsmanship |
Highly developed technique. Superior
use of selected media. |
Acceptable level of technical
ability is demonstrated. Selected media mostly used successfully
throughout. |
Technical ability inconsistent.
Media adequately used. |
Lack of technical ability. Inappropriate
media selected. Media not successfully used. |
Creativity |
Successfully shows new and unique
solutions. High degree of invention. Cubist style is evident
throughout. |
Some originality. Moderate application
of new ideas. Most objects reduced to simple geometric shapes. |
Solves problems conventionally.
Relies on other's ideas. Some objects altered, others retain
traditional shapes. |
Limited originality. Confusion
in interpretation. Lack of understanding of cubism is evident. |
Composition |
Well composed. Incorporates elements
and principles in a creative way. Objects, as well as background,
have been considered. |
Shows compositional awareness.
Used one or more elements or principles effectively. Background
is not well integrated. |
Acceptable composition. Awareness
of elements and principles, but not used creatively. Background
inconsistent with dominant element. |
Unsuccessful composition. No
use of elements and principles. Background not considered
at all. |
Critique |
Self critique shows high level
of thought process and product. Critique of others based
on understanding of elements and principles of design. |
Self critique indicates reflection
on process and product. Critique of others' work is articulate
and positive. |
Self critique incorporates few
elements. Critique of others' work is simplistic and communication
skills are weak. |
Self critique does not address
elements and principles of design. Inability to communicate
clearly. |
Alternative
assessment |
Any type of assessment in which students
create a response to a question or task. In traditional
assessments, students choose a response from a given list,
such as multiple choice, true/false, or matching. Alternative
assessments can include short answer questions, essays,
performance assessments, oral presentations, demonstrations,
exhibitions, and portfolios. |
Analytical trait
scoring |
Judging a performance several times along
several different important dimensions. An example
might be the judging of a piece of persuasive writing for
the author's attention to audience, correct use of grammar
and punctuation, focus on the topic, and persuasiveness
of argument. |
Anchor papers or
benchmark performances |
Examples of performance that serve as a
standard against which other papers or performances may
be judged. In writing, anchor papers are selected
from actual student essays that are considered to exemplify
the quality of a performance level of 1, 2, 3 and so forth.
If used with analytical trait scoring, there may be anchor
papers or benchmark performances for each trait being assessed. |
Assessment |
From the Latin "Asssidere," to sit with. |
Exhibitions of
mastery |
A form of assessment in which students demonstrate
their grasp of skills and knowledge using a variety of methods,
such as oral presentations, skits, video presentations,
posters, or portfolios with samples of their work. |
Higher-order thinking |
An understanding of difficult concepts and
ability to apply sometimes conflicting information to solve
a problem that may have more than one correct answer. |
Holistic scoring |
Using scoring guides and/or anchor papers
to assign a single overall score to a performance. |
Metacognition |
The process of thinking about and regulating
one's own learning. Metacognitive activities include
recalling/reviewing what you already know about a topic,
identifying gaps in your knowledge, planning strategies
to fill those gaps, assessing the relevance/importance of
new information, and revising your beliefs about the topic
short answer questions, essays, performance assessments,
oral presentations, demonstrations, exhibitions, and portfolios. |
Performance assessment |
Direct, systematic observation of an actual
student performance or examples of student performances
and rating of that performance according to pre-established
performance criteria. Students are asked to perform
a complex task or create a product. They are assessed
on both the process and end result of their work.
Many performance assessments include real-life tasks that
call for higher-order thinking. |
Performance criteria |
A description of the characteristics that
will be judged for a task. Performance criteria may
be holistic, analytical trait, general, or specific.
Performance criteria are expressed as a scoring rubric or
scoring guide. Anchor papers or benchmark performances
may be used to identify each level of competency in the
scoring rubric or scoring guide. |
Portfolio assessment |
An assessment process based on the collection
of student work (e.g., writing assignments, drafts, artwork,
etc.) that represents skill competencies, exemplary work,
or the student's development progress. |
Rubric or scoring
guide |
A rubric is an explicit description of performance
characteristics corresponding to a point on a rating scale.
Use of a rubric helps the teacher/rater correctly place
work on the scale and implies that a rule defining the criteria
of an assessment system is followed in evaluation.
In general a rubric is a scoring guide used in subjective
assessments. |
Task (as in "performance
task") |
A goal-directed assessment exercise.
If the task is authentic, it is designed to elicit from
students their application of a broad range of knowledge
and skills to solve a complex problem. |
Helps educators to teach in, through and
about the arts.
Teaching Materials focuses on the national
art education
standards and provides K-12 teachers with
curriculum units, lesson plans, activities and other ideas
for integrating the arts into classroom teaching. |
|
Braque1 http://www.mcs.csuhayward.edu/~malek/Braque.html |
Includes samples of Braque's work. |
Cubism http://www.artlex.com/ArtLex/c/cubism.html |
A visual arts dictionary with
links, additional information about the arts as well as
examples. |
Learning Art Criticism Skills to Enrich
the Museum Experience. |